The Financial Times’s Mike Carter begins his pieceWelcome to Samburuland with a wonderful description of some of northern Kenya’s Samburu women descending on the recently convened milk market in Namunyak Conservancy. ‘From all points of the compass,’ he writes, ‘they came, bursts of intense colour flitting across the sepia, drought-ravaged land, like so many dazzling moths.’
‘These were Samburu women,’ he continues, ‘draped in cloth of cerulean and vermilion, metal anklets blinking under the African sun, forearms wrapped in thick, beaded bracelets like coiled snakes, necks and shoulders buried under cascading necklaces of every colour, which the Samburu call mporros, given to women over their lifetimes by their fathers, then suitors, then husbands.’
Typically fascinated by the dress, accessories, and style of the Samburu, Carter will go on to inform his readers that their traditional attire and how they wear it has earned them the moniker ‘the Butterfly People’ from neighbouring tribes and his beautiful description of the market gathering is designed to leave us under no illusion that what we are witnessing is what has happened for what feels like forever – ‘a timeless, ancient scene.’